In a series thus far defined by the unpredictable, it’s only fitting that—despite suffering a humiliating loss in Edgbaston—Australia enter the fourth Test as favorites. To someone following the series from afar, knowing England are up two matches to one—and on home soil to boot—such odds may seem baffling. Yet, for those who have been following ball by ball, such an off-kilter prediction seems based in the purest of logic. The sole predictable trait of this Ashes series has been its sheer erraticism: A crushing defeat or stunning victory in one match has offered little to no insight into the following Test’s outcome. If Nietzsche killed god, than these Ashes have laid the myth of sporting momentum in its grave. In short, every possible outcome is in play at Trent Bridge—which is exactly why this has been such a magnificent series.
Category Archives: The Ashes
As the Ashes moves on to the third Test there is certainly no lack of headlines and talking points. Although the players got an extra day of rest following Australia’s thoroughly dominating victory at Lord’s, the same cannot be said for the media who have written or talked about every way to fix English cricket since Sunday. To be honest, most didn’t wait that long and some merely never stopped since the World Cup.
For all the stories, many of them non-stories, the Ashes carnival picked up its tent stakes and moved north this week from London to Birmingham with the series not over and done, but actually level at one all. Sure, there is no denying that England were absolutely walloped at Lord’s. They couldn’t bowl and when they went to bat, well they couldn’t do much of that either. Australia from the top to the bottom defeated the hosts in every facet of the great game. And now it is merely history. Edgbaston awaits and gives both teams the opportunity to take a firm grasp on securing the urn.
Thus far, in this edition of the Ashes, groundskeepers have seemingly gotten more press than any individual batsman or bowler. Much was made of the first pitch in Cardiff—and while it eventually proved to be a surface conducive to entertaining cricket—the claim that England is intentionally preparing slow, flat wickets will only gain steam after Lord’s proved to be even more lifeless than Sophia Gardens.
England, however, were not the beneficiary of the deadened pitch. In a day that saw only a single wicket fall, Australia—who had won the toss and chose to bat first—suffocated any chance of a victory for the home side after a mere three sessions. By evening, the tourists were 337-1, with the loss of David Warner’s wicket attributable to the batsman’s foolish bravado rather than any menace from England’s attack. For Alastair Cook and company, it was, as they say, a bad toss to lose.
As the old cliché goes: strong Yorkshire, strong England. But on the opening day of the 2015 Ashes, those in attendance at Sophia Gardens were reminded that every tired maxim contains at least a kernel of truth. After a shaky opening that saw England fall to 43 for three after just 14 overs, Yorkshire’s own Gary Ballance and Joe Root stabilized the home side and led a spirited fightback on a slow, plodding pitch, putting England ahead of Australia going into the second day.
Leading up to a series such as the Ashes, simplistic, often misleading narratives abound. However, in the opening session, the match followed the media-industrial complex’s script to a T. Alastair Cook, Adam Lyth, and Ian Bell—all considered enigmas to varying degrees—combined for a meager sum of just 27 runs. English supporters, at first replete with optimism after their side’s swashbuckling performance in the ODI series against New Zealand, grew nervous. For England, the match needed saving.
“There is a distinct difference between suspense and surprise, and yet many pictures continually confuse the two.” – Alfred Hitchcock
Hitchcock may have been discussing the finer points of filmmaking, but he could have just as easily been talking about sport—an endeavor defined by soul crushing anxiety. Yet, of its innumerable permutations, perhaps no sport is better representative of terror in its most distilled form than cricket. And considering that one of Hitchcock’s films uses the 1938 Ashes as a major plot point, who’s to say he wasn’t acutely aware of this fact?